Vulcanoes are vents in the earth’s crust through which pent-up energy and molten material is released from the interior. Deriving their name from Vulcan, the Roman God of Fire, volcanoes have been treated with awe and respect over human history. With their explosive energy and fiery antics they are the poster-child of books and media related to Planet Earth, ‘natural’ disasters and incredible adventures. My first encounter with these shapers of the earth was in Hawaii. It was there that I fell under the spell of Pele, the Hawaiian Goddess of Volcanoes – one of many gods associated with volcanoes around the globe. Created by passing over a submerged volcanic hotspot, both the Hawaiian Islands and the Galapagos are testament to the constantly moving nature of the earths surface. On land the Pacific ‘Ring of Fire’ exemplifies the clustering of volcanoes along the boundaries of mobile tectonic plates. While fire and volcanoes are synonymous, the elements of water, air and earth also play a fundamental role in the birth and expression of these conduits of energy. The creation, impact and flow-on effects of volcanoes on our lives makes a fascinating and sometimes surprising story.
Our feet are amazing structures with powerful symbolism. They allow us to walk upright and can transport us towards or away from people, places and situations. Both feet and toes are associated with specific elements. In their barefoot state feet connect us to the energy of the earth – an ancient bond being reborn in modern times as ‘Earthing’. Acupuncture meridians starting in the feet connect our energy points internally. Reflexology and Applied Kinesiology also work with feet, energy flow and the five elements. These relationships highlight the importance of feet to our well-being. They may also help explain why feet feature in many phrases about how people feel and behave. Welcome to the fascinating world of feet, energy and the elements.
Tasmania is renowned for its natural beauty, fine food and wine and its vibrant arts scene. This elemental island has inspired artists for tens of thousands of years, the story beginning with Aboriginal Tasmanians. Contemporary artists continue to be inspired by the elements, with a growing trend to immerse materials in the elements themselves – earth, water, fire and air. As an elemental place, Tasmania speaks to me of fire and water. Others respond to the elements in the island State in their own way. Photographs are used as the story-teller in this post. The perfect medium when capturing the artistry of elemental Tasmania.
Breathing is a wonder we take for granted. This is the first sentence of the essay titled AIR by Alan P Tory in his book ‘WONDER. Learning the “Ah” of things‘. I was struck by the poetic language that Alan uses and by the wise words of a Zen Master he shares, that we must learn to understand the “Ah” of things. To admire the works of art that surround us in everyday life. Through images, sound and excerpts of Alan’s text it is my turn to share the “Ah” of Air.
Recently I came across four representations of the Om/Aum symbol in a period of 10 days. As all of the sightings were in rural Tasmania in Australia, I felt that it must be more than coincidence. This encouraged me to explore the relationship between the five elements and the universal and universally known symbol and sound of Om. I would not have done so if I hadn’t seen multiple sightings of this sacred symbol. Here is what I have discovered so far.
Today marks the third year anniversary of my exploration of the elements across the globe through my blog FireupWaterdown (https://fireupwaterdown.com). Seventy six posts later, it is timely to review the topics explored so far, which ones have been widely viewed and which less so, the connections I have made over the last three years, and to reflect on the question ‘when people want to learn about the elements, what do they search for?
For my 72nd blog, I bring to you an element of the elements that hadn’t crossed my mind before – the ins and outs of winter cycling on a bicycle. The book ‘Frostbike‘ starts with the question ‘is happy winter cycling possible?’ This means serious cycling in snow and freezing temperatures, not the relatively mild winters we have in coastal Australia and elsewhere. Even here the number of cyclists in winter declines markedly. So, thanks to Tom Babin, there is now information available on what bikes are suitable for winter cycling, how cities can be designed to accommodate it, and the importance of people’s attitudes towards winter and, with it, winter cycling. The book also provides a fine example of how our attitudes towards the elements can have an impact on our behaviour and wellbeing.